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“He squats on a white sheet whilst squeezing red paint from a tube. When all the red is squelched into a tidy pile he drops his bare backside down into it, gleefully throwing his arms into the air, slipping and sliding out of control yet trying to contain a tidy circle of painting. When he stands he has red buttock cheeks, a cheeky-looking Pikachu, and a near-perfect, freshly painted Japanese flag at his feet. This he attaches to the wall. He turns to the audience, spits his saliva-soaked manga propaganda from his bursting cheeks and exclaims 'Happy Japan'.”
— Miriam King in ‘Last Exit to Helsinki’
The Archive
The Total Theatre Magazine Print Archive covers almost 25 years of contemporary theatre and performance, spanning the period from 1989-2012. It has been made possible with support from the Heritage Lottery Fund, alongside sponsors Rose Bruford College, Attenborough Centre for the Creative Arts, and the Royal Conservatoire of Scotland.
editorial@totaltheatremagazine.org.uk
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